版权信息: |
Copyright 1987-1992 as an unpublished work by Bitstream Inc., Cambridge, MA. All rights reserved Copyright (c) ParaType, Inc., 2003. All rights reserved. |
字体家族名称: |
KisOSC BT |
字体子家族名称: |
Regular |
统一字体标识: |
TransType Pro (Win);KisOSC BT;001.000;04/30/10 01:54:21 |
字体全名: |
KisOSC BT |
版本: |
Version 001.000 |
PostScript名称: |
KisOSCBT |
制造商信息: |
as an unpublished work by Bitstream Inc |
描述: |
The Bitstream version of Linotype Janson. Nicholas Kis (Kis Miklos) was a Hungarian punch-cutter who worked in Amsterdam. His types are some of the greatest in the Dutch old face style and have been used as models for a number of developments in this century. The Linotype version of this style, Janson, was created by Chaunsey H.Griffith in 1937 and is based on an original face cut by Kis in 1670-90. The face is named after Anton Janson, a Dutchman who worked in Leipzig, with whom the face has no connection. The typeface is for use in text matter. Cyrillic version developed at ParaType in 1999 by Vladimir Yefimov. |
版权信息: |
Copyright 1987-1992 as an unpublished work by Bitstream Inc., Cambridge, MA. All rights reserved Copyright (c) ParaType, Inc., 2003. All rights reserved. |
字体家族名称: |
KisOSC BT |
字体子家族名称: |
Regular |
统一字体标识: |
TransType Pro (Win);KisOSC BT;001.000;04/30/10 01:54:21 |
字体全名: |
KisOSC BT |
版本: |
Version 001.000 |
PostScript名称: |
KisOSCBT |
制造商信息: |
as an unpublished work by Bitstream Inc |
描述: |
The Bitstream version of Linotype Janson. Nicholas Kis (Kis Miklos) was a Hungarian punch-cutter who worked in Amsterdam. His types are some of the greatest in the Dutch old face style and have been used as models for a number of developments in this century. The Linotype version of this style, Janson, was created by Chaunsey H.Griffith in 1937 and is based on an original face cut by Kis in 1670-90. The face is named after Anton Janson, a Dutchman who worked in Leipzig, with whom the face has no connection. The typeface is for use in text matter. Cyrillic version developed at ParaType in 1999 by Vladimir Yefimov. |